April Larson – “It Flies” – The Human Heart – Tobago Tracks
In his Nobel Prize-winning book Thinking Fast And Slow, the psychologist Daniel Kahneman outlines two cognitive systems that our brains use to make sense of the world.
The first “operates automatically and quickly,” he writes, “with little or no effort and no sense of voluntary control.” Looking toward the source of a sudden sound, or answering two plus two, for instance, fall under System One’s purview. System Two is more considered, on the other hand, allocating “attention to the effortful mental activities that demand it,” says Kahneman. These include things like doing your taxes, or writing this column, for example.
We might think that System Two is the one that governs our choices and beliefs, and bestows upon us a sense of individual identity. But System One actually plays a bigger part in routing the impressions and feelings that System Two has to deliberate on, as if System One preconditions and to a certain extent predetermines System Two. And another thing: System One can’t be turned off. It’s constantly working, like background script that’s always running. Is it possible that our ostensibly cultivated cultural tastes actually belong more to System One? I think that we know immediately whether or not we like what we do. The rest is vanity.
Autechre – “JNSN CODE GL16” – JNSN CODE GL16 / spl47 – Touched Music
It’s nice that Autechre have returned to making enchanting music of manageable proportions. And for good cause: the Macmillan Cancer Support Community. Shame that the residual value of this record will fall largely into aftermarket prospectors’ hands.
Michael Terren – “Vessel” – Thru – Fallow Media
One of my guilty pleasures is the TV show Pawn Stars. I especially enjoy the episodes where the Las Vegan Gold & Silver Pawn Shop owner Rick Harrison has to call in local expert Mark Hall-Patton, otherwise referred to as the “Beard of Knowledge,” to identify and authenticate some curio that he’s never seen before — a centrifugal governor, or a meteorite that could possibly be millions of years old.
Mr. Hall-Patton, administrator of the Nevada Clark County Museum, presumably a place to encounter the most priceless and worthless of ephemera, indeed has a beard and some knowledge. No matter what the thing is, he invariably takes a long look over the merchandise, and says, “Oh, this is very interesting.” This is like that. I want it. What is it? What does it do? What is it worth?
Henning Christiansen – “Op.192 GRUNDBAND Umwälzung (excerpt)” – Op.192 UMWÄLZUNG – fluxorum organum 1990 EURASIENSTAB ist immernoch ANGELPUNKT – Penultimate Press
So much time and ingenuity and money have been spent over the past 140 years on technically concealing or erasing or eradicating all trace of the medium from recorded sound. We even have a standard ratio for quantifying it: signal to noise. Now, we’re finally enjoying a time when that medium-ness — tape hiss, room buzz, grounding hum, feedback — is celebrated for what it exposes, not what it undermines.
Polyorchard – “Montana” – Red October – Out & Gone Music
“Within seconds of listening to Red October,” writes scholar Emily Leon, “I felt as though I was the steel ball in a pinball game… like the steel ball, this album propels you into the playfield: targets, holes and saucers, spinners and rollovers, gates.”
From the pinball’s perspective, life seems pretty chaotic. It’s constantly on the move, incapable of rest, circulating, rebounding, ricocheting off of various obstacles, with no logical sense of direction. But step up from the playing field and out of the machine, above the glass surface, and that steel pinball has a very definite trajectory, from initial launch to its inevitable end through those final pearly paddles. The game is to make the most of the fall.
Daphni – “Tin” – Joli Mai – Jiaolong
There’s an adage that applies to carpenters and producers of Techno alike: measure twice, cut once.